alternatívne formy vzdelávania
alternatívne životné štýly a každodenná rezistencia
avantgarda, neoavantgarda
cenzúra
demokratická opozícia
divadlo a múzické umenia dozor
emigrácia/exil
film filozofické/teoretické hnutia folklór
hnutie za ľudské práva hudba kritická veda
kultúra mladých
literatúra a literárna kritika
menšinové hnutia
mierové hnutie
nezávislá žurnalistika
náboženský aktivizmus
národnostné hnutia národné hnutia ochrana životného prostredia
odporcovia vojenskej služby
populárna kultúra
samizdat a tamizdat sociálne hnutia stranícki disidenti umenie nových médií undergroundová kultúra
vedecká kritika
vizuálne umenia
výtvarné umenie
ľudia, ktorí prežili perzekúcie zo strany autoritárskych/totalitných režimov
študentské hnutie
ženské hnutie
artefakty
film
fotografie
grafiky
hudobné nahrávky
iné
komiksy a karikatúry
nábytok
obrazy
odevy
právna a/alebo finančná dokumentácia
publikácie rukopisy
sochy spomienkové predmety
video záznamy vybavenie
zvukové záznamy úžitkové umenie ďalšie umelecké diela šedá literatúra
The collection is important proof of the activities of a left-thinking historian, a "spiritual father" and co-founder of the Committee for the Defence of the Unjustly Prosecuted (VONS), a co-publisher of unofficial periodic Dialogy, who was imprisoned several times and forced to go to exile, where he collaborated with dissidents from other socialist countries.
The Jazz Section (JS) Collection was founded thanks to Karel Mašita, a former member of the section, and was supplemented by materials collected in exile by the historian Vilém Prečan. The collection contains documents which had been created since 1968: e.g. the correspondence regarding the foundation of JS and the first years of its operation, plans for activities, correspondence with authorities, documents regarding supervision and screenings, complaints concerning the attempts by the authorities to dissolve JS, the liquidation of the Union of Musicians and the reaction of the international press to the trials of members of JS.
This collection contains letters which the Libri Prohibiti Library obtained from the estate of the poet and manager of the Czechoslovak underground band Plastic People of the Universe, Ivan Martin Jirous. These letters were written by his wife, the painter Juliana Jirousová, during his many stays in prison. However, we can also find several unknown letters which were written before their wedding. This collection contains over 120 letters.
The János Baksa Soós Special Collection administers the acoustic, written and visual documents of János Baksa Soós’ oeuvre. Throughout his career (which began in Budapest and consummated in Berlin), Baksa Soós turned attitude into an artistic medium and acted in the spirit of conviviality. The goal of the collection, which is held in the Tamás Cseh Archive, is to present the works of the artist, who was active in several genres, in the context of the era and the effects of his attitude on his milieu.