alternatívne formy vzdelávania
alternatívne životné štýly a každodenná rezistencia
avantgarda, neoavantgarda
cenzúra
demokratická opozícia
divadlo a múzické umenia dozor
emigrácia/exil
film filozofické/teoretické hnutia folklór
hnutie za ľudské práva hudba kritická veda
kultúra mladých
literatúra a literárna kritika
menšinové hnutia
mierové hnutie
nezávislá žurnalistika
náboženský aktivizmus
národnostné hnutia národné hnutia ochrana životného prostredia
odporcovia vojenskej služby
populárna kultúra
samizdat a tamizdat sociálne hnutia stranícki disidenti umenie nových médií undergroundová kultúra
vedecká kritika
vizuálne umenia
výtvarné umenie
ľudia, ktorí prežili perzekúcie zo strany autoritárskych/totalitných režimov
študentské hnutie
ženské hnutie
artefakty
film
fotografie
grafiky
hudobné nahrávky
iné
komiksy a karikatúry
nábytok
obrazy
odevy
právna a/alebo finančná dokumentácia
publikácie rukopisy
sochy spomienkové predmety
video záznamy vybavenie
zvukové záznamy úžitkové umenie ďalšie umelecké diela šedá literatúra
Polish artists and circles involved in performance art were in many ways critical of Polish People's Republic authorities. They would often be involved in the so-called “second circuit” of publishers and galleries that functioned without public support and independently from national institutions. Performers’ actions themselves were also loaded critically not only towards the authoritarian practices of the “people’s” government, but also the patriarchal and hierarchical aspects of Polish culture. The Archive of Museum of Modern Art in Warsaw presents the history of Polish performance art. It uses an attractive web portal to publish photographic and video recordings of artistic actions along with commentaries from curators. The Archive is also engaged in research and promotion activities, and is participating in the preparation of Museum’s permanent exhibition.
Polja magazine [Fields in English], is one of the longest running periodicals in the former Yugoslavia, and was first published in 1955 in Novi Sad. Throughout 506 issues, Polja has covered important periods in Yugoslav cultural history and has featured young authors in the fields of literature, cultural theory, and literary and film criticism. The magazine has a history of providing a platform for social criticism, as it became inseparable from the youth-led organization Tribina mladih [Tribune of Youth] which criticized the social and political situation in the country and the culture of its time.