alternatívne formy vzdelávania
alternatívne životné štýly a každodenná rezistencia
avantgarda, neoavantgarda
cenzúra
demokratická opozícia
divadlo a múzické umenia dozor
emigrácia/exil
film filozofické/teoretické hnutia folklór
hnutie za ľudské práva hudba kritická veda
kultúra mladých
literatúra a literárna kritika
menšinové hnutia
mierové hnutie
nezávislá žurnalistika
náboženský aktivizmus
národnostné hnutia národné hnutia ochrana životného prostredia
odporcovia vojenskej služby
populárna kultúra
samizdat a tamizdat sociálne hnutia stranícki disidenti umenie nových médií undergroundová kultúra
vedecká kritika
vizuálne umenia
výtvarné umenie
ľudia, ktorí prežili perzekúcie zo strany autoritárskych/totalitných režimov
študentské hnutie
ženské hnutie
artefakty
film
fotografie
grafiky
hudobné nahrávky
iné
komiksy a karikatúry
nábytok
obrazy
odevy
právna a/alebo finančná dokumentácia
publikácie rukopisy
sochy spomienkové predmety
video záznamy vybavenie
zvukové záznamy úžitkové umenie ďalšie umelecké diela šedá literatúra
The collection of the D-fund of Prohibited Literature (1945-1991) is located in the National and University Library in Ljubljana and forms an integral part of the Slovenian Press Collection Outside of the Republic of Slovenia. The D-fund mostly contains books and periodicals published outside of socialist Yugoslavia and those primarily pertaining to the Slovenian émigré scene. However, a smaller part of the same fund encompasses the émigré literature of other Yugoslav peoples. In this sense, the D-fund also belongs to the culture of dissent.
The records of Croatian-American sociologist Dinko Tomašić are deposited at the Hoover Institution Library & Archives, Stanford University. In accordance with its own themes and periodization, it covers Tomašić's public work after the Second World War, when he settled in the United States as a political émigré. The collection testifies to Tomašić's sociological research, in which he critically examined political and social phenomena of post-war communist society in Croatia and Yugoslavia. The main thesis of Tomašić's sociological theory was that the revolutionary transformation of society and the huge growth of the party-state’s power destroyed political, economic, social and cultural pluralism in the public life of the Yugoslav nations. Based on his sociological methods, and making use of results the fields of ethnography and anthropology, he believed that the source of the Yugoslav revolution derived from the specific Dinaric culture, which belonged to economically passive territories, regions where the Partisan movement secured the great support, such as Montenegro, Dalmatia, Lika, Bosnia and Herzegovina.