alternatívne formy vzdelávania
alternatívne životné štýly a každodenná rezistencia
avantgarda, neoavantgarda
cenzúra
demokratická opozícia
divadlo a múzické umenia dozor
emigrácia/exil
film filozofické/teoretické hnutia folklór
hnutie za ľudské práva hudba kritická veda
kultúra mladých
literatúra a literárna kritika
menšinové hnutia
mierové hnutie
nezávislá žurnalistika
náboženský aktivizmus
národnostné hnutia národné hnutia ochrana životného prostredia
odporcovia vojenskej služby
populárna kultúra
samizdat a tamizdat sociálne hnutia stranícki disidenti umenie nových médií undergroundová kultúra
vedecká kritika
vizuálne umenia
výtvarné umenie
ľudia, ktorí prežili perzekúcie zo strany autoritárskych/totalitných režimov
študentské hnutie
ženské hnutie
artefakty
film
fotografie
grafiky
hudobné nahrávky
iné
komiksy a karikatúry
nábytok
obrazy
odevy
právna a/alebo finančná dokumentácia
publikácie rukopisy
sochy spomienkové predmety
video záznamy vybavenie
zvukové záznamy úžitkové umenie ďalšie umelecké diela šedá literatúra
Noor-Tartu (Young-Tartu) was a non-institutional student movement in Tartu between 1979 and 1984 (from 1979-1981 it was called Kodulinn, or Hometown). It was formed mostly by history students who wanted to do something useful for their city, without being connected to any official institution. Arranging urban space, collecting antiquities and organising cultural events were the main activities of the movement. Various pieces of material (announcements, newspapers, overviews, photographs) about these activities have been preserved. Today, this material forms an unofficial private collection owned by the core group of the Noor-Tartu movement.
The Youth Subcultures Ad-hoc Collection at CNSAS comprises documents created or collected by the Romanian secret police, the Securitate, about the emergence and development of Western-inspired subcultures among the members of the younger generation in Romania, subcultures which the communist regime considered harmful for their education and whose influence it thus tried to counteract. This collection illustrates that young people even in an isolated country like Romania in the 1970s and the 1980s still became exposed via Western broadcasting agencies to Western cultural goods, especially to music, which made them adopt alternative life styles and wear provocative outfits in order to build distinctive collective identities. Out of the many young people who attracted the unwanted attention of the Securitate two cases stand out and are featured in this ad-hoc collection: Clubul Regilor Liberi (The Club of the Free Kings) in Brăila and Organizația Tinerilor Liberi (The Organisation of Free Young People) in Bistrița.
This private collection consists of around 150 leaflets produced by Yugoslav Cominformist emigrants in Prague during the period 1971–76. It is owned by the historian Ondřej Vojtěchovský and it is located in his apartment in Prague. The significance of this collection lies in its analysis and criticism of the Yugoslav socialist regime from the radical leftist point of view by emigrants in an Eastern Bloc country.